Mobile’s can damage your precious life

We use to do this all the time! I guess I won’t be doing it ANY more !
A few days ago, a person was recharging his mobile phone at home.
Just at that time a call came in and he answered it with the charging Instrument still connected to the outlet.
After a few seconds electricity flowed into the cell phone unrestrained and the young man was thrown to the floor with a heavy thud. As you can see,
the phone actually exploded.
His parents rushed to the room only to find him unconscious, with a weak heartbeat and burnt fingers.
However, we must be aware that it can also be an instrument of death.
Never use the cell phone while it is hooked to the electrical outlet! If you are charging the cell phone and a call comes in, unplug it from the charger and outlet.
“Know safety – No injury,
No safety – Know injury“

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Mobile’s can damage your precious life

Akshay Kumar concocts a royal treat

Akshay Kumar concocts a royal treat: As part of his forthcoming show MasterChef India, Akshay Kumar and his team of chefs recently took the challenge of cooking for the King at Udaipur, Sriji Arvind Mewar. The King hosted this royal challenge at his palace in Udaipur the City Palace of Mewar. He got his own shahi kitchen open for the contestants to choose their ingredients for this shahi treat.
Akshay Kumar concocts a royal treat
Akshay met the King and was greeted with a warm welcome and stayed at the palatial hotels of Mewar. For this royal edition of the show, Akshay has sported a kurta-sherwani worth Rs 17 lakh. Studded with diamonds and pearls, the outfit has been designed by Abu Jani and Sandeep Khosla. MasterChef India starts airing on Star Plus from October 16.

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Akshay Kumar concocts a royal treat

Sakshi Pradha MMS scandal: Bigg Boss

 
Sakshi Pradha MMS scandal: Bigg Boss: Sakshi Pradhan may be locked up in the Bigg Boss [ Images ] house but out in the real world, she seems to be locked in controversy. According to a report in Mumbai’s [ Images ] tabloid, Mid-Day, Sakshi has a new MMS scandal credited to her name. She is seen flirting and kissing a man in the 14-second clip. ‘The MMS apparently shows Sakshi auditioning for a role and is heavily searched for on the web,’ the report states.
Though the MMS is quite an old one, it has re-surfaced on the Internet at the time Sakshi has entered Bigg Boss. Last year, Sakshi had posted on her Facebook account that the MMS clip was not true. She claimed that she was shocked that people believed it to be her. Looks like we have to wait for the MTV Splitsvilla winner to get out of Bigg Boss to know the truth.

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Sakshi Pradha MMS scandal: Bigg Boss

Khaleja Movie Review

Movie : Khaleja
Banner: Sri Kanakaratna Movies
Cast: Mahesh Babu, Anushka, Prakashraj, Rao Ramesh, Shafi, Ali, Sunil, Brahmi, Subbaraju, Tanikella, Raghu Babu, M S Narayana, Dharmavarapu, Amit, Veda etc
Music: Mani Sharmaa
Cinematography: Yash Bhatt, Sunil Patel
Director: Trivikram Srinivas
Producers: Singanamala Ramesh, C Kalyan
Release date: October 07, 2010

Story:
A different tale, the story is set on the backdrop of Rajasthan and here comes Raju (mahesh), a taxi driver in search of a family. Here, he meets a TV channel crew member (sunil) and their conversation reveals the flashback story of Raju. In that, there is also his chance meeting with Subhashini (anushka) and how he ends up having trouble due to her. Meanwhile, in a small village of AP, there is Siddappa (shafi) who sets out on a mission to find the one man who is equivalent to god and who can save his village from sure death. After meeting Raju, he realizes that Raju is the man for the cause. And then, there is the powerful businessman GK (prakashraj) who wants to marry his son to Subhashini and has his eye on Siddappa’s village. How are all the dots connected forms the rest of the story.
Presentation:
The director has come up with an ordinary storyline but then it was his presentation and narrative that made the difference. The dialogues were good at many places, the script was alright and the screenplay was above average. Background score was good and three songs were excellent. Cinematography was top notch. Editing was neat. Costumes were fabulous and the art department was apt. Mahesh Babu was a total transformation from his regular image and he has scored the brownie points. Anushka from her end added to the glamour and romance part. Prakashraj was brief but good. Rao Ramesh was excellent, Shafi was very good, Ali and Sunil gave the light moments, Brahmi gave his own share of comedy. Raghu Babu was funny, Subbaraju could have been given some more length in his role, Veda was brief. The others contributed in their own way.
Conclusion:
Given the fact that it was Mahesh’s comeback film, the expectations were very high. While the first half was quite normal and never really revealed the plot, all the flaws got covered up during the second half. The real assets to the film were Mahesh Babu’s performance and the technical values. This is not much of a content driven film and it is more of a rich presentation that works. At the box office, this will be an above average grosser and if word of mouth works then it will become a big hit

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Khaleja Movie Review

Robo Movie Review

 
Banner: Sun Pictures
Cast: Rajinikanth, Aishwarya Rai, Danny Denzongpa
Story: S. Shankar, V. Balakumaran, Sujatha Rangarajan
Music: A. R. Rahman
Cinematography: R. Rathnavelu
Editing: Anthony Gonsalves
Director: S. Shankar
Producer: Kalanidhi Maran, Hansraj Saxena
release date:1/10/2010
Story:
Vaseekaran (Rajinikanth), a scientist creates a humanoid robot by struggling around for five years. He even ignores his ladylove Sana (Aishwarya Rai) at times. His creation has several qualities and names it as Chitti (Rajinikanth). That robot could understand the commands orally and could act accordingly like any other human being. It could dance, fight, understand several languages and has good memory. In fact, Vasee wants to handover the robot to Indian Army as it could destroy the enemies and at the same time it can’t be destroyed, because it is fire and water resistant.
When he takes to a panel of scientists, one among them, who was the professor of Vaseekaran (Danny Denzongpa) refuses permission, as the robot doesn’t have judgment and says that it could even kill our own army officers.  Incidentally, Chitti saves several live in a fire accident and in this process, it saves a girl who was taking bath undressed. Unable to bear the humiliation, she commits suicide. The professor tells Vasee to destroy the Robot as it doesn’t have any emotions and it is dangerous. At the same time, he offers millions of dollars to Vasee, if he could hand it over to him.
But, Vasee upgrades Chitti by incorporating the emotions like anger, sorrow, love, kiss what not… Once Sana kisses Chitti and this ignites love in Chitti. When Vasee expresses his love to Sana, Chitti too says he too loves her. After the upgradation, Vasee takes Chitti to the Army officers but, Chitti behaves differently. This irks Vasee and destroys Chitti and dumps in the dust bin. However, Chitti resurrects from garbage and goes to Vasee’s professor to give him a rebirth as he loves Sana. What happens next should be see on-screen.
PERFORMANCE:
Rajinikanth’s performance in both the roles is excellent and his role as a robot is extra-ordinary. No one could do such a character. His stylish actions are very impressive and could be admired not only by his fans but by the common audience. Especially, in the second half, he plays the role with negative shade and has portrayed excellently. Aish has given a wonderful performance. Other artistes like Danny Denzongpa and others have done justice to their roles.

TECHNICAL:
The production values of Sun Pictures could be visualised on the screen and standards are not less than any Hollywood film. Especially the last half-an-hour graphics the film mesmerises the audience. Cinematography by Ratnavelu is ultimate. The train episode and several others were excellently picturised and its a treat to watch. Editing by Anthony is equally good. but the film could have shortened by some 10 to 15 minutes. Action scenes by Peter Haynes are worth watching.
However, the audiences would not feel bored at any given point of time. Dialogues by Sri Ramakrishna are adequate. After a disaster like Puli, AR Rahman has done good work. The re-recording of the film is exceptional and almost all the songs are foot-tapping. The visual effects are spectacular and the graphics are unimaginable.
The screenplay by Shankar is exceptional. It appears each and every inch of the film was visualised before by the director and penned every moment of the film on paper. One can’t find any loophole either in the script (story) or in his directorial ability. However, the only minus point in the film is the poor characterisation of the villain, Danny Denzongpa. While elevating Rajini, the director has completly ignored to etch that character. Kalanidhi Maran should be complimented for taking such an extraordinary project and bringing it on the Indian screen.

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Robo Movie Review

Priyanka Chopra modeling for Man’s World

Priyanka Chopra modeling for Man’s World: Till yesterday, Bollywood had just one name to reckon with when it came to ‘bravery’ -’Fearless Nadia’. Well, it seems ‘Fearless Priyanka’ will be the new name of bravery in Bollywood, thanks to her edge-of-the-seat reality show Khatron Ke Khiladi 3! In this issue of Man’s World, Priyanka Chopra speaks about her work out regime for the show, her equation with Karan Grover and also the quote by Shahrukh Khan that she wears on her coat forever: ‘Failure is not an option’!
Priyanka Chopra modeling for Man’s World
On the personal front, she says, “I love my life right now, but I wish I didn’t have to grow up so soon. I was a teenager when I won the Miss Universe, you know!” Yes, Miss Chopra, we are aware of all the laurels that you have achieved.
She also talks about her ‘readings’ of Bollywood: “There are three kind of people here. The crème de la crème, who are quite okay, the men and the women who are on their way to the top, who too are not bad people, but the third kind is the most dangerous. They are the fixers, the men who talk and act big, take advantage of your desperation and take you for a ride.”To get some more gyaan, from the gyaani herself, you know what mag to pick up this season!

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Priyanka Chopra modeling for Man’s World

Rajamouli: ‘I Don’t Like Awards’.

Rajamouli seems to be highly tensed up before knowing the results of National Awards. Although his film ‘Magadheera’ swept all the records in the recent Film Fare Awards function, he sat with closed fingers on keyboard while twittering. He was seen asking for updates of the news.
It is known that the film won Best Actor, Best Actress, Best Director, Best Music Director, Best Cameraman and Best Singer at the awards event in August, Kanal Kannan and Shiva Shankar Master made director S S Rajamouli proud again by winning the National Awards in eth category of Best Special Effects and Best Choreography respectively.
Much before an hour before the announcement on Idiot Box, on the Twitter Rajamouli started tweeting whether the list was out or not. He wrote, “Is the complete list out for the 57th national award out? Does anyone know?”
Soon after the final list was announced, he tweeted, “I don’t like awards for myself. I didn’t even apply for the awards (not that I would have stood a chance at the national level).But I am happy,”
Speaking to IBNLive on the telephone, Rajamouli says, “Yes I have heard Magadheera has won the award. I have been responding on it on Twitter. I have been in non-stop interviews since then.”
Even after the list was read out on TV by Ramesh Sippy, he continued tweeting, “Still not sure whether the complete list is out. Waiting for Art and DOP.”
He also tweeted, “Senthil missed…” quoting that Senthil Kumar, the most expected missed the award this time.
On a whole, what Rajamouli means is that he is happy for his team winning the awards although he hardly likes to receive awards by himself. He is really a wonder in Tollywood!!!!!!!

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Rajamouli: ‘I Don’t Like Awards’.

Komaram Puli’ Flop Bringing $$$ To TV Channels

The big budget movie ‘Komaram Puli’ may well have been a disaster at the box office but it sure is helping out few others. The Puli flop has given a breather to the small cinema and the TV circuit, they are now gearing up to release their films. Before that, they are now in the need to book slots across various TV channels.
Usually, when it is a big movie, the channels take special interest in promoting them but when it is not a big movie, the small movies have to run around the channels to ensure that their ads and movie teasers are placed in the proper slot. Even the channels have begun taking ‘Puli’ light.
It is heard that the channels are giving preference to those cinemas which are giving money and this is fetching them good revenues. As for the small films, they have got available slots and they are doing their best to push the movies through this medium

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Komaram Puli’ Flop Bringing $$$ To TV Channels

3 Idiots the Best Popular Film at the 57th National Film Awards

Aamir Khan’s blockbuster 3 Idiots has been named as the Best Popular Film at the 57th National Film Awards, which were announced today.
Meanwhile, Bollywood megastar Amitabh Bachchan has bagged the Best Actor award for his performance in Paa whereas Ananya Chatterjee bagged Best Actress for Bengali film Abohoman.
The Best Supporting actress award went to Arundhati Nag for her performance in award winning Paa.
Best Director went to Rituparno Ghosh for Abohoman.
Renowned actor Farooq Sheikh won Best Supporting actor for his role in Lahore. The actor spoke to NDTV over phone from Delhi said “it was satisfying to get this award.”

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3 Idiots the Best Popular Film at the 57th National Film Awards

Kaleja Movie Details

Director Trivikram Srinivas‘ much-delayed Mahesh Babu-Anushka starrer Kaleja, produced by Singanamala Ramesh under the banner of Kanakarathna Movies, is racing ahead for super duper Hit..
Mahesh Babu plays the role of a taxi driver and Anushka appears as a rich brat. Prakashraj is the villain. Sunil and Brahmanandam have key roles in this movie, being cinematographed by ace Bollywood cameraman Sunil Patel. Mani Sharma scores the music. After the tremendous success of Athadu (2005), this is the second time Mahesh Babu teams up.
1. Review’s
2. Songs
3. Wallpapers
4. Downloads

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Kaleja Movie Details

Dabangg’ juggernaut continues, 1st week share should be Rs. 48 cr. to Rs. 50 cr.

DABANGG is on a rampage, shattering all past records that come in    its path! The film is setting new records and ranks amongst the biggest openers ever. Of course, the Wednesday and Thursday figures will decide where it stands vis-a-vis the first week business of 3 IDIOTS. But as thing stand today, if the film continues to perform the way it’s performing, the first week share from India theatrical alone of DABANGG will be anywhere between Rs. 48 cr. to Rs. 50 cr. The rentals at single screens are very low and since the business at single screens is humungous, the distributors’ share from single screens will be unprecedented.
What’s noteworthy is that DABANGG will recover the entire costs from India theatrical alone. Meanwhile, the film collected Rs. 8 cr. nett on Tuesday, which takes the 5-day total to Rs. 66 cr. to Rs. 67 cr. nett. Sensational!

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Dabangg’ juggernaut continues, 1st week share should be Rs. 48 cr. to Rs. 50 cr.

Brindavanam movie review

Brindaavanam is an upcoming Telugu-language film that stars NTR Jr., Kajal Aggarwal and Samantha in the lead roles, whilst actors Prakash Raj and Srihari play pivotal roles. This film is directed by Vamsi Paidipally (Munna fame), and produced by producer, Dil Raju. Jr. NTR took 8 Crores fee for the film. The budget of this movie is about 32 crores.
Movie Name : Brindavanam
Year of Release : 2010
Starring : NTR Jr., Kajal Aggarwal, Samantha, Srihari, Prakash Raj
Directed : Vamsi Paidipally
Produced : Dil Raju
Music : S.S. Thaman
Cinematography Chota K. Naidu
Editing : Marthand K Venkatesh
Release date(s) :25th sept 2010
Budget 32 Crore

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Brindavanam movie review

Kajol-Ajay welcome baby boy

The countdown to Kajol’s delivery ended as she gave birth to a baby boy Monday morning, seven years after her daughter Nysa was born.
SRK, who has given many blockbusters with Kajol, showed his happiness with his latest tweet: “Bringing life on earth is the most beautiful gift of God. Allah bless Ajay & Kajol with happiness & health.son of a devgun wow masha allah.”
Bollywood actors Priyanka Chopra and Ritiesh Deshmukh congratulated Kajol and Ajay for the new member in their family. Priyanka wrote on microblogging site Twitter: “It’s amazing when a new life comes into the world.. Congrats Ajay and kajol on the birth of ur baby boy..,” and Ritiesh also tweets: “Congratulations AJAY & KAJOL – a Baby boy arrives.”
Director and producer Madhur Bhandarkar too tweets: “Congratulations Ajay & kajol on the birth of your baby boy. Ganpati baapa moraya…”

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Kajol-Ajay welcome baby boy

Komaram Puli Movie Review

Language: Telugu
Budget: Rs 42crores
Country: India
Director: S. J. Suryaah
Producer: Singanamala Ramesh
Writer: S. J. Suryaah
Starring: Pawan Kalyan, Nikesha Patel, Manoj Bajpai, Charan Raj, Nassar, Jyothi Krishna, Brahmaji, Ali, Girish Karnad, Gopinath, Shriya Saran (Special appearance)
Music Director: A. R. Rahman
Release date: 10 September, 2010
Story:
Komaram Puli is a story about a Police Officer who is honest at his best and thinks that honesty is best policy in police line too. “Although it is old wine in brand new package, but the 45 crore movies makes it good enough to serve.”
Pawan Kalyan has played the role of that Honest Police Officer Puli, who thinks that Dicipline and Honesty is must in the Police Department and for that he strictly follows the rules. To his life changes when he charges a fine to a Don Al Saleem who parked his car in No Parking area. But this act of the Puli makes Al Saleem humiliated.
Leaving this interaction later Puli come to know that Al Saleem had some relations with Terrorist Nixon. Also he get information about Nixon’s dread plans that Nixon has sent some Aides to country for Killing some Famous Personalities and Creating trouble inside the nation.
Soon after this information the Ideal Police Officer starts tightening the threads of Al Saleem, and this process of interrogation and investigation he faces a Shocking Truth? What is this shocking truth, for this you have to visit the Theaters and Book the Komaram Puli Tickets.

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Komaram Puli Movie Review

Recording Artist Jennifer Lang Takes Listeners On Chilltastic Ride With New Album Release.

Before this album is even popped into the CD player, one can tell there is something special about Arkansas sweetheart Jennifer Lang. Her bright eyes and smiling face exude pure joy and happiness, qualities not seen that often anymore on the album covers of current female R&B songstresses.
Jennifer Lang’s new album 3 O’clock Saturday is a sultry journey into chilltastic realms. Jennifer’s voice is smooth, soulful and above all else extraordinary! At times her voice puts you in mind of Jennifer Hudson. It’s the kind of voice that’s capable of belting out rafter shaking ballads or sweet melodies whispered to the ear.
Jennifer Lang has a delightful, unassuming personality and her personality carries throughout the album. 3 O’Clock Saturday is her sophomore album and it seems that Lang is contentedly finding her niche. She is at her best when singing in a lower register and maintains exquisite vocal control through ornamental twists and turns. “I like to tap into the feeling of past life experiences and create a story from start to finish”, says Lang.
Jennifer’s style is unquestionably rooted in R&B, but with that said a few tracks off of 3 O’clock Saturday have a bit of a new age meets trip-hop vibe about them. These tracks, “Fairy Tales” and “Hey Love” set her apart from all the rest. These are tracks that Jennifer truly hits her stride. This isn’t to say that her soulful R&B tracks are weak-far from it. Tracks like “Keep Your Head Up” and “Betcha Thought” more than prove that she could go toe-to-toe with such artists as Alicia Keys, Mary J. Blige and Angie Stone.
With 3 O’ Clock Saturday, Jennifer Lang has created a batch of fine listening music. And there’s a clear distinction, by the way, between ‘listening’ music and ‘dance’ music. A lot of R&B music sounds great in a club or booming from a car stereo. But if you attempt to enjoy such sounds in a stationary position, you may become a little restless. In contrast, Lang’s sounds have a calming affect. They make you want to sit back, relax, and take it all in.
Jennifer Lang’s picture on the cover of this CD is sweet and inviting. One look and you will say to yourself, ‘That looks like a nice girl.’ The same thing happens when listening to the music contained within. You’re not just listening to some unknowable singer. Instead, it’s like you’re sitting and letting a good friend sing to you. Without a doubt, 3 O’ Clock Saturday is an appointment you definitely need to keep.

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Recording Artist Jennifer Lang Takes Listeners On Chilltastic Ride With New Album Release.

Bhageerathudu Movie Review

Cast: Vinodkumar,Yamuna,Manju Bhargavi
Director:Giri Reddy
Genre:Biography
Language: Telugu
Music Director: Varikuppala Yaadagiri
Release Date:01 Sep 2010

Story:

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Bhageerathudu Movie Review

Gayam 2 Movie Review

CAST : Jeeva,Kota Srinivasa rao,Tanikella Bharani,Jagapathi Babu,Vimala Raman
Director : Praveen Sri
Producer : Dr. Dharma Kartha
Music By : Ilayaraja
Banner: Sri Keerthi Creations
Release Date:3\9\2010
Story:
If you missed ‘Gayam’ or have forgotten the story, don’t worry..the first half of the film Gayam 2 winds up with a re-cap or rather a filler of why Jagapathi Babu turns into Ram from Durga. He’s actually explaining to his wife Vimala (Vimala Raman) as to why he’d kept his identity under wraps. The movie moves like a snail showing the hero’s virtuosity at romance, a couple of slow numbers make you wonder if Praveen Sri suffers from a starting problem. So slow is the film that you can actually count the number of cups of coffee Jagapathi Babu had or offered his wife and customers. Luckily Kota Srinivasa Rao as a politician with criminal background stands as a rock giving some credibility to the film, without which one would be questioning the necessity for a sequel.
Kota as Guru Narayan is still nursing the only ambition of becoming a Chief Minister until his son Shankar Narayan sees Durga on television. He wants to bump his old rival off whom the world believes is dead and thus the son and the lawyer (Tanikella Bharani) embark on a journey to Thailand to make sure Ram is Durga. Does the director keep the hero alive to make space for a triology, to know that you got to suffer the ludicruous first part of the film where the characters are written lazily.
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Jagapathi Babu does his own part, but the intensity and the volatile look goes missing. He doesn’t have the best lines. Thankfully even after years the film released he looks like Durga and the montage shots of the first part even provides a few minutes of retro thrill. Vimala Raman’s biggest contribution is to look apt, her pairing with Jagapathi Babu is perfect and she comes up with a convincing portrayal of a worrisome wife. Kota Srinivasa Rao doesn’t move from his home, he’s either on his chair or standing and talking over the phone but speedens up the drama, it’s touching to see the scenes involving him and his son (Kota Prasad).
A few dialogues in the drama throws up the irony of life, the actor who played an impetuous and impatient man brought to the fore his natural charm in delivering dialogues or expressions. Tanikella Bharani sparkles as a supportive lawyer. Harshavardhan’s comedy too seems forced. Finally Gayam 2 is a not entirely a vanity project for the hero where he appears in every shot, the fizz of Gayam goes missing, you don’t connect emotionally to the narrative but the director manages to stop the movie from being limp.

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Gayam 2 Movie Review

Ameesha Patel Collapses On Set, Gets Hospitalized

Actress Ameesha Patel was recently shooting for a Telugu movie in Hyderabad. She wasn’t in a good mood, as recently she lost her grandmother few days back and could not bear the heat of the town in such a condition. Ameesha collapsed on the set and she had to be admitted to a hospital.

Hearing this, the caring mother of the actress rushed from Mumbai to be on her daughter’s side. Actually, Ameesha was very close to her grandmother, who passed away a few days back. She was in deep distress after loosing her ‘dadi’. But life cannot stop here so the actress decided to move on and tried to keep herself busy with shooting even though the family members asked her to relax for some time.An eye-witness was quoted saying that she collapsed totally on the set and the crew members took her to a neighboring hospital. The actress was then put on intravenous drip, the source added.
Ameesha’s brother actor Ashmit Patel was quoted confirming the news of her hospitalization. He said that the heat and dust of the Hyderabad city might have taken a toll on her when she was already in grief. He added that the strong viral infection around the city might have also affected. However, he was happy that their mother is now with Ameesha to take proper care of her. Ashmit further informed that his sister has almost recovered and shall resume her work again

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Ameesha Patel Collapses On Set, Gets Hospitalized

Arjun Rampal : My Mom Forced Me To Watch ‘Stepmom’

Arjun Rampal would be seen as a central protagonist in ‘We Are Family’, the official adaptation of ‘Stepmom’. Though the actor can’t help but sing praises of this Karan Johar production, he can’t forget the time when he almost skipped watching ‘Stepmom’. The story dates back to more than a decade when this tearjerker starring Julia Roberts and Susan Sarandon had just released.
“I wasn’t too inclined to watch the film actually. It just wasn’t my type. I was young and melodrama was definitely out for me. I was planning to hang out with my friends one fine morning when my mom sat me down and asked me to watch ‘Stepmom’”, Arjun gets nostalgic as he remembers how emotionally charged his mom was once she was through watching the film for the first time.
“She wanted to watch it again and make sure that I give her company this time around”, smiles Arjun, “I wasn’t too keen but once I sat down for that, I was in tears in no time. It was a really moving experience as it taught me the value of having a family. There were so many messages as well.”
And what were they? “That hamaari zindagi mein itne saare petty issues hote hain and we give so much importance to them when actually we should be thinking about so much else that life has to offer to us”, Arjun gets emotional here, “One should not take things for granted and instead hold each other’s hands in times of crisis.”No wonder, Karan Johar too shared similar emotions when the final cut of ‘We Are Family’ was ready.

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Arjun Rampal : My Mom Forced Me To Watch ‘Stepmom’

Kareena & Saif Ali Khan’s relationship in big trouble

Kareena & Saif Ali Khan’s relationship in big trouble: Saif Ali Khan and Kareena Kapoor, one of the hottest couples in B-Town, reportedly had their share of trouble recently, when Saif’s two kids, along with their mother Amrita Singh, had gone to stay with Saif at his Bandra residence. Kareena Kapoor has to face Saif’s kids when they visit him in Mumbai. Normally, whenever Saif is with his kids, Kareena used to give them some space and leaves them for a while like she did during their recent holiday in London. However, she refused to pamper the kids though Saif wanted her to during their recent visit. This led to a breach of communication between the two for six days at a stretch.

However, reports say that when Saif and Kareena had gone to a Cineplex in Mumbai to watch the premiere of Anjaana Anjaani, Saif’s kids were there, all happy to be with Kareena and dad Saif Ali Khan! Well, what could one say but ‘All’s Well in Love and War.’

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Kareena & Saif Ali Khan’s relationship in big trouble

Rana to leave for Europe

‘Nenu Naa Rakshasi’ unit leaving to Europe on October 7th for long overseas schedule. The shooting period will be held in Venice and parts of Switzerland. Two songs and some scenes will be picturized. The first schedule was held in Hyderabad. Ileana is playing the female lead opposite Rana Daggubati in the film.The film produced under the banner of Lakshmi Narasimha Productions, directed by Puri Jagannath, produced by Nallamalupu Srinivas(Bujji), with music by Vishwaa and Rehman.

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Rana to leave for Europe

Ravi Teja’s ‘Mirapakaya’ completes the shooting

One of the most trustable hero for producers and who is also quite popular with the Telugu cinema audience is none other than Ravi Teja, who is now coming out as “Mirapakaya”, the title which actually suits his style of acting.After giving hits like ‘Kick’ and ‘Don Seenu’, Raviteja agreed a film in the direction of Harish Shankar with the title Mirapakaya’ and the tagline is ‘Veedu Chaala Hot Guru’ under the banner of Yellow Flowers. As we all know that Richa Gangopadhyay and Diksha are playing female roles in this movie.
According to filmnagar sources the shooting of the film is almost complete and the post-production works has already begun. Producer of the film is Ramesh Puppala and Sai Thaman, who delivered a hit music on his debut with ‘Kick’ will do the music for the film.

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Ravi Teja’s ‘Mirapakaya’ completes the shooting

Court issues notice to Nayantara, Prabhu Deva

Ramalatha approached the Chennai Family Court on Oct 4 insistent to direct her husband not to leave her. And she requests the court reunion with her husband. And the court issued notices to Prabhu Deva and Nayantara on Wednesday, Oct 6. Undertaking all legal procedures to fight Prabhu Deva-Nayanthara marriage, Ramlatha has succeeded in staying the marriage at the court.
The family court ruled against the marriage and summoned both Prabhu Deva and Nayanthara to attend the court on October 19, 2010. Ramlatha accuses Naynthara of taking Prabhu Deva away. She also moved the court to not let them be seen in public together and take photographs.
Ramalatha said her family was dependent upon Prabhu Deva for survival, and that he had stopped meeting even the monthly expenses. The matter has been posted for October 19. Married in 1995, Prabhu Deva and Latha have two children.

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Court issues notice to Nayantara, Prabhu Deva

Too much of Rishi Kapoor in Do Dooni Char…..

The common man as the protagonist. His intrinsic moral values. His ability to remain upright even at the risk of facing dire consequences. But then ideals aren’t always crafted out of plastic or glass. In the post liberalisation era ideals are more like rubber which can be stretched or twisted to suit the need of the hour. But even elasticity is not infinite. Once a person bends the rules, how far can he go? Will the lure of the moolah succeed in ruling his life, destroying three decades of a glorious career?
Santosh Duggal (Rishi Kapoor is the head of the Duggal family, a professor of mathematics and family man to the core. His wife Kusum Duggal (Neetu Singh) has given up her career as a librarian to please her husband. Their daughter Payal (Aditi Vasudev) is a typical college student who lusts after every snazzy gizmo and gadget which enters the market. Their son Sandeep (Archit Krishna) believes life is all about money and more money.
Rishi Kapoor has been plodding away or rather chugging along on his two-wheeler making the arduous journey from his workplace to his coaching classes in the hope that his kids will one day possess the much-coveted ‘MBA’ degree. But then the best of plans often tend to go haywire…Priorities are redefined and the need for a four-wheeler takes precedence over all else.
Set in a one-bedroom flat in Delhi  Do Dooni Char is successfully recreates the middle-class ethos. The Duggals are a ‘normal’ family. They fight over bathroom rights and hot water. Having non-vegetarian food in the middle of the week is the high point of their lives. And they constantly fantasise about the next luxury durable which might enter their lives (ipod, home theatre or car).
Debut director Habib Faizal manages to draw you effortlessly into ‘the Duggal world’. But the script lacks enough meat to keep you hooked. The simple story gets stretched endlessly in a mindless fashion. One pretty much knows how the film is going to end. But especially in the second half of the film the journey with the Duggals gets monotonous and inane.
Almost the entire film has been shot on location and it goes a long way in giving Do Dooni Char the ‘real’ edge. The cramped flats, the verandahs (from where baskets are lowered to buy veggies) and the pan-stained corridors of the coaching classes.

The kids or teenagers have delivered endearing performances. Aditi Vasudev is a natural. She possesses a certain feminine charm despite her cropped hair and sporty wardrobe and brings raw energy on the screen. Archit Krishna uses his facial expressions to convey fear, disgust, boredom or plain envy. A daunting task to work with veteran Rishi Kapoor in your first film. Yet these two and their clumsy attempts left me with a smile on my face.
Rishi Kapoor even in the second lease of his career has always played the suave rich gentleman (Hum Tum [ Images ], Pyaar Mein Twist, Kuch Khatti Kuch Meethi). Or the upper-class producer in Luck By Chance ! Here he’s a middle-class male chauvinist. Does he pull it off? Oh yes. With minimal makeup, a wardrobe which does nothing to disguise his pot belly, and the well-worn helmet (the hallmark of a middle-class life) Rishi Kapoor takes up a new avatar and emerges triumphant.
On the flip side, there is just a little too much of Rishi Kapoor. Ostensibly Do Dooni Char is about the Duggal family. But the director focuses single-mindedly on Rishi Kapoor. The actor fills up the frame and leaves little room for his co-actors. But surely this is not something for which we can blame him? After all it is the director who needs to strike a balance.
It is a pity Neetu Singh chose this film as her comeback vehicle. The director relegates her to the background. She’s just a peg on which Rishi Kapoor hangs his coat. Or maybe that’s the director’s vision of a model housewife. Sad because Neetu Singh is hugely talented and she deserved more.
The film is a must see for all those who enjoy dramas about middle-class morality. And of course Rishi Kapoor fans who are spread across generations. The rest may give this a miss…

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Too much of Rishi Kapoor in Do Dooni Char…..

Crook releases with its unedited topless scene….

Emraan Hashmi starrer movie Crook-It’s Good To Be Bad, faced a lot of censorship controversy before it got released today. The censor board had asked producer Mahesh Bhatt to edit a topless scene from the film so that it could be certified as a U/A movie. But Mahesh was adamant to keep the scene in the film and for this, he was ready to release the movie with an ‘A’ certificate.
However, the director of the movie, Mohit Suri wanted to get a U/A certificate for his movie so he approached his uncle who is the producer of the film, Mahesh. The censor screening of Crook was done last Tuesday in presence of Mohit Suri and Mukesh Bhatt.
A source was quoted saying that the controversial scene was shot in Australia with an actress named Stella Alan. A drunken Emraan passes out in Stella’s car and finds himself on her bed the next morning, when he wakes up. He gets to see her changing her clothes, when he comes out from the washroom, the source added.
The source further said that in this particular scene, the camera captures the nude backside of the actress
. Mahesh has reportedly tried to justify his decision by saying that a film like Ram Teri Ganga Maili was allowed to show frontal nudity, then, why his film restricted to do so. However, the censor board was not willing to buy his justification and thus rubbished the point.
When Mohit and Mukesh approached Mahesh, he reportedly decided not to compromise with the scene in any circumstances. It is learnt that the actress, who has performed the topless scene, had no issues to shoot it even without a body suit. In fact, the director Mohit Suri proposed to opt for a body suit if the actress was feeling uncomfortable but Stella was fine without it.
Mahesh Bhatt has admitted that he had a spat with Mohit regarding this censor issue but later added that there was nothing wrong in it. Bhatt said that the scene has a dramatic impact and it is very relevant to the film. He said that the young generation expects some sensationalism in the movies so he will prefer keeping the scene and go ahead with an ‘A’ certificate

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Crook releases with its unedited topless scene….

Big B, Hrithik electrify but SRK steals the show

Two charismatic stars – Amitabh Bachchan and Hrithik Roshan – dazzled as the showstoppers for Karan Johar and Varun Bahl’s show at the HDIL-India Couture Week here, but it was Shah Rukh Khan who stole the show with his dimpled smile and impromptu jig.With Big B and Hrithik walking down the ramp with elan Thursday evening, the audience couldn’t have asked for more, as they electrified the atmosphere with their enigmatic and powerful personalities, but there was more to the drama.As the two showstoppers – Amitabh Bachchan dressed in a black overcoat with aviators and Hrithik in a military jacket – came to take the final bow with the designers, Karan suggested that they get King Khan, who was sitting in the first row, on the ramp too.
So they walked back and Big B gave his hand to SRK, pulled him onto the ramp while the audience, which included a host of Bollywood celebrities, cheered and clapped seeing the three “Kabhi Khushi Kabhie Gham” stars walk together.Then SRK broke into a jig and asked Amitabh and Hrithik to join in too, much to the joy of the audience.It all ended with much male bonding as Shah Rukh hugged the Big B and Hrithik, wishing them “All the best”.The big stars on the ramp apart, Karan’s show had a galaxy of celebrities in attendance – Preity Zinta, sisters Karishma and Kareena Kapoor, Saif Ali Khan, Anil Kapoor with daughter Sonam, Rani Mukerji, Shah Rukh’s wife Gauri, Hrithik’s wife Suzzane, Urmila Matondkar, Raveena Tandon, Rahul Khanna, Dino Morea amongst many others.
The celeb quotient sure set the ball rolling for the designers.Talking about the number of stars spotted during his show, Karan said: “The idea was to get people together with whom I connect personally. It was all about having friends and family supporting you.”The designers had showcased a power-packed menswear range on the ramp.The two had designed some interesting jackets with asymmetrical button patterns, slim fit trousers, waistcoats, military jackets and long overcoats as well.  Two charismatic stars – Amitabh Bachchan and Hrithik Roshan – dazzled as the showstoppers for Karan Johar and Varun Bahl’s show at the HDIL-India Couture Week here, but it was Shah Rukh Khan who stole the show with his dimpled smile and impromptu jig.With Big B and Hrithik walking down the ramp with elan Thursday evening, the audience couldn’t have asked for more, as they electrified the atmosphere with their enigmatic and powerful personalities, but there was more to the drama.
As the two showstoppers – Amitabh Bachchan dressed in a black overcoat with aviators and Hrithik in a military jacket – came to take the final bow with the designers, Karan suggested that they get King Khan, who was sitting in the first row, on the ramp too.So they walked back and Big B gave his hand to SRK, pulled him onto the ramp while the audience, which included a host of Bollywood celebrities, cheered and clapped seeing the three “Kabhi Khushi Kabhie Gham” stars walk together.Then SRK broke into a jig and asked Amitabh and Hrithik to join in too, much to the joy of the audience.It all ended with much male bonding as Shah Rukh hugged the Big B and Hrithik, wishing them “All the best”.
The big stars on the ramp apart, Karan’s show had a galaxy of celebrities in attendance – Preity Zinta, sisters Karishma and Kareena Kapoor, Saif Ali Khan, Anil Kapoor with daughter Sonam, Rani Mukerji, Shah Rukh’s wife Gauri, Hrithik’s wife Suzzane, Urmila Matondkar, Raveena Tandon, Rahul Khanna, Dino Morea amongst many others.The celeb quotient sure set the ball rolling for the designers.Talking about the number of stars spotted during his show, Karan said: “The idea was to get people together with whom I connect personally. It was all about having friends and family supporting you.”The designers had showcased a power-packed menswear range on the ramp.The two had designed some interesting jackets with asymmetrical button patterns, slim fit trousers, waistcoats, military jackets and long overcoats as well.

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Big B, Hrithik electrify but SRK steals the show

Movie Review: The Social Network Is Your New Friend

Merrick Morton/Columbia Pictures

A-

Review in a Hurry: It's ironic that only a week after Oliver Stone's Wall Street sequel came out, The Social Network schools the old man by absolutely nailing the new generation of rich jerkwads, in this hip and savvy look at the life of Facebook founder Mark Zuckerberg (Jesse Eisenberg).

The Bigger Picture: Admit it, when you heard somebody was making a movie about Facebook, you probably groaned, right? Made some kind of reference to how there needed to be a "Dislike" button you could click? Then when they announced that David Fincher would direct and Aaron Sorkin script, perhaps you had some second thoughts...but still have yet to be won over by those billboards of Eisenberg's scowling face.

Rest assured, this is trademark Sorkin and Fincher all the way, and the only reason not to see the movie is if you already hit the mental dislike button on those two a long time ago. Yes, Fincher misstepped with Benjamin Button, but remember, biopics tend to work better when they're about real people rather than fictionalized saintly figures.

Using the ultra-crisp cinematography afforded by the Red camera, and his trademark darkness and shadows, Fincher follows the progress of Zuckerberg—an antisocial prodigy who can't stop being a smartmouth even when it guarantees him trouble. He goes from the Harvard dorm where he expands upon various existing ideas to create a unifying Facebook, to the heights of success, where he inevitably loses friends and encounters lawsuits from everyone he might conceivably have ripped off in the process.

Columbia TriStar

Two of these cases—one brought by former best friend and CBO Eduardo Saverin (future Spider-Man Andrew Garfield), and the other by elitist rowing championship twins (Armie Hammer, excellent in both roles), who arguably inspired Zuckerberg early on—frame the flashback action of the film.

The movie's title, especially in that familiar font, is meant to refer to Zuckerberg's famous creation, but it also indirectly refers to the various social networks people travel in at different stages, from the elite clubs at Harvard to the business alliances one makes and breaks later on. Napster cofounder Sean Parker (Justin Timberlake) proves instrumental in the latter.

And while some have been skeptical about Timberlake, both haters and fans should appreciate him here: The naysayers can boo him as he plays a despicable character, while supporters can admire the extent to which he's gleefully willing to subvert his own media image.

What will be difficult for some viewers, and likely Academy voters as well, is that The Social Network doesn't really offer anybody to root for. Though there's a forced attempt at a grace note near the movie's end, Zuckerberg as depicted here is not a guy you'd ever want to be friends with, and most of the folks he has run-ins with are even worse; his lack of pretension relative to them is refreshing, but doesn't necessarily make him more likable.

It's a compelling tale regardless, but viewers who prefer clear heroes and villains in their tales might leave dissatisfied.

The 180—a Second Opinion: Sorkin's stereotypical snappy banter, while not overrunning the movie, does dominate at least three key scenes (including the opening). While entertaining, it does draw attention to itself as less-than-realistic.

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Movie Review: The Social Network Is Your New Friend

Movie Review: It's Kind of a Funny Story Actually Kind of a Touching, Quirky Story

K.C. Bailey/Focus Features

B+

Review in a Hurry: Feeling mental? Check out this Funny Story of a suicidal teenager (Keir Gilchrest) who checks himself into an adult psychiatric hospital. Aided by solid performances, this offbeat comedy lives up to its title, though it could have stepped a little farther out on the ledge.

The Bigger Picture: Based on Ned Vizzini's novel of the same name, Funny Story plays like One Flew Over the Cuckoo's Nest as interpreted by John Hughes—and with a depressive Ferris Bueller at its center.

But directors-screenwriters Anna Boden and Ryan Fleck are running this asylum, where 16-year-old Craig Kilner (Gilchrist) is admitted after becoming overwhelmed by school, dating and other adolescent issues. Craig hopes for a quick fix, but is locked into a minimum five-day stay—and since the youth ward is under renovation, he's sent to stay with the adults.

One of the patients, moody wisecracker Bobby (Zach Galifianakis), takes the new kid under his (wounded) wing and becomes an unlikely mentor and friend. Also helping out is fetching teen and budding love interest Noelle (Emma Roberts), a recovering "cutter" who makes Craig forget his unrequited crush on a best bud's girl.

Boden and Fleck fill in plot bits and break up the sometimes-languid pace with Craig's voice-over/direct address to the camera, as well as animation and fantasy sequences. (The patients' glam-pop performance of "Under Pressure" is especially gratifying.) They use the devices to amusing effect and create a skewed sensibility without straining the quirkiness. Still, given the dark subject matter, the humor might've had a bigger bite if it had veered into a more daring, darker place.

Galifianakis develops a disarming rapport with the sweet, vulnerable (and thankfully not whiny) Gilchrest. The funny schlub—with his well-worn green sweater—slips comfortably into the role of wry observer but also shows surprising sensitivity and restraint in dramatic scenes.

Memorable in smaller roles are Viola Davis, oozing empathy as Craig's therapist; Daniel London as a "Hasidic acid-head" with ultrasensitive ears; and Bernard White as Craig's Egyptian roommate, who's too despondent to get outta bed.

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Movie Review: It's Kind of a Funny Story Actually Kind of a Touching, Quirky Story

Movie Review: Secretariat as Boring as It Looks

John Bramley/ Disney Enterprises, Inc

C

Review in a Hurry: The true-life account of the "world's greatest racehorse" deserves better than this bland adaptation from the Disney factory. Worthy of the glue factory? Neigh! Secretariat is probably a safe bet for devoted horse-lovers, but others should pony up for a different flick.

The Bigger Picture: Following in the hoofsteps of Seabiscuit, this underdog horse tale chronicles the amazing journey of the 1973 Triple Crown winner. Wobbly Secretariat stumbles over a number of hurdles, though, notably Mike Rich's generic script, which trots out one cliché after another during its long gallop to the finish line.

Dressed in Mary Tyler Moore outfits and a stiff, Pat Nixon-like wig, Diane Lane portrays Denver housewife and mom Penny Chenery, who takes over her deceased dad's stables in Virginia. Despite her lack of horseracing knowledge, she bucks the male-dominated biz and invests in promising colt Big Red, later renamed Secretariat.

She hires veteran trainer Luicien Laurin (John Malkovich) to whip him into shape, and against all odds, they foster the first three-fer Winner in 25 years.

Hardcore racing fans might be disappointed by the film's focus on Penny's home life and investment woes, with banal family scenes involving her skeptical husband and war-protesting daughter. Plus, the film cuts corners on action sequences, depicting the stallion's mounting fame with a single slo-mo shot—and the penultimate race with stock footage on the Chenerys' TV.

Plus, don't expect any gritty portrait of the racing industry—Secretariat is as edgy as a Kentucky Derby bonnet. Scenes are awash in golden light and underscored with voiceover Bible quotes and gospel music. Holy cow, er, horse.

Lovely Lane rises above the cable-movie feel of the production but gets saddled with so many fist-clenching "we've-got-to-win!" speeches that you half expect her to exclaim, "As God as my witness, I'll never go hungry again!"

Not as winning, Malkovich continues his string of over-the-top character roles with a showy turn as the flamboyantly attired crankpot.

The 180—a Second Opinion: It's always good to see Scott Glenn (here as Penny's pa), and as a fun distraction, notice how much—in old-coot makeup—he looks like Lurch from The Addams Family.

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Movie Review: Secretariat as Boring as It Looks

Movie Review: Every Baby Movie Ever + Rom-Com Clichés = Life As We Know It!

Peter Iovino/Warner Bros. Entertainment

C-

Review in a Hurry: Goo goo gag gag. Katherine Heigl and Josh Duhamel star as bickering singles who become reluctant caregivers to an orphaned infant girl. Overly long Life has a few cutesy moments but is basically a rom-com genetically engineered by development execs.

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The Bigger Picture: As by-the-numbers as baby's first paint set. As formulaic as a nipple-bottle of Similac. As...well, you get the idea.

In a Battle of the Pepsodent Smiles, pretty caterer Holly (Heigl) and hunky network-sports director Eric (Duhamel) go on a disastrous blind date set up by mutual friends. The lady and the cad can't stand each other, so guess who's gonna be rocking the crib—and by "crib" I mean "bedroom"—before the movie's over.

When the aforementioned friends die in an accident, Holly and Eric learn they've both been named as guardians for goddaughter Sophie. So they attempt to put their differences aside and move into the dead couple's Atlanta home to raise the tiny toddler. Right...

What follows are regurgitated scenes from any baby movie: harried adults being puked on, changing poopy Pampers, feeding/bathing the fussy tot, struggling with strollers, etc.

Of course, Eric grows to love Holly and his new role as Sophie's dad. And Holly has to ultimately choose between romance with Eric—or with Dr. Right, handsome pediatrician Sam (Josh Lucas, showing off his natural Southern accent). Semi-spoiler alert: Can we please place a moratorium on eleventh-hour dashes to the airport?

Life is aimed at the Lifetime crowd, who will "Aww" at all the baby antics and swoon at all the shots of Duhamel putting on/taking off his shirt. The pic seriously overplays the man-candy jokes, with every straight woman and gay man drooling like newborns at the sight of him.

Yes, he and Heigl are easy on the eyes and generate a few sparks. But Life, with its steaming pile of plot contrivances and predictable gags, has all the freshness of a discarded diaper. 

The 180—a Second Opinion: Y'all, Melissa McCarthy is a hoot as a busybody belle with a dash of Sugarbaker-style sass. Speaking of, watch for a brief cameo by Designing Women's Jean Smart.

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Movie Review: Every Baby Movie Ever + Rom-Com Clichés = Life As We Know It!